Elva Fields for C. Wonder


 
In downtown Taylorsville, a spirited little jewelry operation is stashed away in the back of the simple, modest Chamber of Commerce building.  But the vibrant twists of color designed and assembled within are anything but humble, mousey trinkets.   Elva Fields is the jewelry operation designed and guided by Emily Wheat Maynard, a passionate and innovative craftsperson and Kentucky native.

Kertis Creative was honored to explore and share her enthusiasm and vision in a video piece created to showcase her new partnership with C. Wonder, a New York City-based boutique boasting clothes, jewelry, accessories, and cool home furnishings.  The shop commissioned a handful of jewelry designs to be sold exclusively through their website and stores.


An interesting aspect of this relationship is that C. Wonder wanted to reveal the personality and process of Elva Fields and Emily through short-form story, rather than through a traditional commercial.  So to go about showcasing the stories and ideas behind her creations, we spent an afternoon in her Taylorsville lab, learning about the patience, history, and alchemy that go into the realization of each of her pieces.  
A field trip to an antique store in Louisville became an intimate class in Emily’s theories and methods of discovery, recovery, and re-interpretation of the past.  Taking the time to show shoppers and jewelry enthusiasts the depth of thought and imagination that goes into their products was a pretty sharp way of promoting the Elva Fields line, and we had a great time unspooling the story.

We actually got to check out C. Wonder’s Soho Flagship location in New York City this December.  It was great to see Emily’s pieces fit in among the strong designs and playful chaos of such an inventive space.

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The Importance of Microphones

Audio makes up 70 percent of video.
The above statement is a common phrase in both video and film.
Most of the time, when viewing material we don’t spend any time thinking about the microphone used on the production. To show how important microphones are, I’ve included a short video that has comparisons between different types of mics.
The first example of sound is what’s typically heard on the majority of videos people upload to the Internet. The last three samples are types of microphones that we would bring on shoots to make sure we capture what’s being said so viewers can concentrate on the video’s message.
It’s pretty amazing how much something we don’t see affects the quality of a visual medium.

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No Greater Task

Since working with Kentuckians for the Commonwealth last year on a portrait series, we knew we would like to someday help them further tell their story. That opportunity came this past fall when KFTC organizer Colette Henderson approached us about creating a video piece to open up their holiday music event fundraiser.

The idea was to explain some of what KFTC does, but also personalize the organization and tell their story through the lens of one person’s experience as a member. Ivy Brashear proved to be just the right person to tell the story. Ivy, a Viper, KY native, is familiar with the impact mountain top removal and large coal corporations have on the people, environment, and landscape of eastern Kentucky.

Ivy and KFTC have hope for her home and the people who live there. Ivy envisions a thriving economy centered on renewable energy, utilizing the barren lands left behind from mountain top removal for wind turbines. Currently a graduate student at the University of Kentucky, Ivy intends on returning home to see her vision through. In her opinion there is “No Greater Task” for her life.

We met up with Ivy in Lexington and traveled home with her just before the Christmas holiday, spending two days with her family on the left fork of Maces Creek. The Brashear’s welcomed us warmly and were eager to share stories of their family’s history in Appalachia.

Ivy’s story played before a sold out crowd at the Brown Theatre on December 29, 2011.

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THIS… is Louisville is here!

THIS is Louisville Magazine hit the streets earlier this month. THIS is the collaborative effort of a growing group of photographers interested in telling the stories of local folks in Louisville. Not necessarily the people you read about daily, but the people who often go overlooked. The brainchild of the magazine’s founder Maggie Huber, THIS is Louisville is centered around documentary style photography but does not limit itself to the more traditional newspaper style. It relies heavily on the photographs to tell the stories with the written word filling in the gaps.

Normally behind the camera, We were excited by the challenge and opportunity Huber presented to us with designing the magazine. The goal was to showcase the photographs in a simple and easy to consume fashion, allowing the photographs to become the centerpiece of the viewer’s focus.

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RYE in 2012

RYE greeted the New Year and celebrated its 2011 construction and birth with a spectacular party New Years Eve.  The RYE team showcased their thoughtful and spirited preparation of food and a space boasting smart juxtapositions between the polished and the roughhewn.  We’re excited to work with them as their contributions to the East Market neighborhood promise to challenge our expectations and transform our dining scene.  Bonus points to turning us on to Brussels sprout leaves and the versatility of sorghum.

Take a look at the frantic installation of the RYE kitchen/culinary playhouse.  We mounted a camera up in the corner – Peter Parker style – to catch all their hard work that went down over the course of a very long day.   Keep your eyes peeled for upcoming videos that will give you an intimate look into the inspiration and philosophy behind the restaurant, and the personalities behind the dishes.

And here’s the New Year’s Eve video invitation we put together a bit ago.  Thanks to the folks from RYE for inviting us along for the ride!

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Happy New Year!

Happy New Year!

It has been a wonderfully busy and productive year over at the KC world headquarters. We have been woefully absent in blog writing, mainly beacuse we have been traveling the country and telling stories that have blown us away.  We are lucky to have such varied and interesting clients.

Over the next several weeks, we will be posting about some of our favorite projects of 2011.

Until then, here is a recap of how part of our year was filled:

We have 48 new videos on our Vimeo page that we are insanely proud of – produced in over a dozen states and a handful of foreign countries.

We have helped produce for two new Louisville publications.

We have edited an independent documentary about the changing face of music retail and created a new music video website that showcases our hometown artists in some of their favorite places.

We have created video content and communication strategy for a handful of tech startups and produced for some of the world’s largest companies.

We shot with such journalistic mainstays as A&E Biography, 20/20, The Wall Street Journal, and MSNBC.  We were on the sidelines during some of the most exciting sporting events in the South.

We had a hell of a lot of fun.

All in all it has been an amazing year, and we can’t wait to see what 2012 will hold.  Stay tuned to the blog and the Facebook page.  You guys have been kind enough to share your stories with us, and we love returning the favor!

Here’s to the next 12 months.

 

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Bokeh

While searching for a way to make a car suction cup mount last week I came across an interesting effect to use with video. Check it out.

BOKEH ART (“Who Do You Love” by Sue Scrofa) from DANIELS on Vimeo.

Since DSLRs started gaining popularity in the video community in late 2008, shooters now have an affordable option to make cinema like images with a shallow depth of field.

With an easy way to obtain an incredibly shallow depth of field came the popularity of videos dedicated to bokeh, or the aesthetic quality of the out of focus parts of an image…..or blur.


I’ve read posts from various amateur photographers talking about bokeh for years. Some would say certain lenses have good bokeh and some would declare other lenses have unpleasant bokeh, but it’s really all subjective.

I couldn’t figure out why the shapes in the art bokeh video worked at first but after remembering some photos I saw of a lens that used a mirror instead of typical lens it started to make sense.

Here’s a photo that a mirror lens makes.

Mirror lens

And here’s a photo that shows what highlights look like when they are out of focus with a regular lens.

Bokeh - October leaf

On the mirror lens if you check out the front of the element you’ll notice that, like on reflector telescopes, there is a circular object in the middle of the lens that blocks some of the light. The light enters this lens through the sides instead of the middle

Tokina 500mm f/8 Mirror Lens

On a regular lens the opening letting light pass through is only in the middle of the lens.

Iris Diaphragm

Combing the information we know about different styles of lenses, it makes sense as to why bokeh art works. The Iris controls how the out of focus areas will look.

Bokeh Filter

I thought this was a new technique but after doing some research I discovered that this has been around since before 1950.

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WATER!

In early June, the whole KC team headed out to a nondescript ramp off of River Road in Louisville, Ky. The ramp led to a very high and brown Ohio River. Not only was the water above its normal resting depth, it was also visibly dirty. There were dead fish floating in the water, along with various bits of fast food wrappers and other debris. Over the next hour, we watched the team at Edge Outreach make 3,000 gallons of that water drinkable.

The folks at Edge Outreach specialize in making undrinkable water drinkable. They employ and recruit some of the smartest people around to engineer systems that are so shockingly simple that they can be shipped and installed anywhere in the world. We really dig the approach because we are always trying to get at the core of our clients’ stories, to find what might really move viewers.

The day we joined Edge they were working the bugs out of a system specially designed to be used as a first responder during global crises. It was completely mobile and was the brainchild of three unique organizations coming together.

We were compelled by their story and honored to be able to help tell it. This of course doesn’t cover all the amazing work that is happening at Edge, but it’s a beginning.

We’d like to extend a big shout out to Mark, Kurt, Lacey, and all the other people that are committed to providing safe drinking water to people they have never met. To stay updated, follow them on Facebook.

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Interwebs from the ether

It happened around 10 a.m. on a otherwise normal weekday. I had just rolled into our offices on East Market Street in downtown Louisville when a subtle icon on my smartphone was shouting at me: 4G LTE. Verizon Wireless had flipped on the latest iteration of its mobile data network. But this one was different. Unlike the pokey, sometimes dial-up-ish mobile Internet of the past, this network was blazing at speeds of 5-10Mbps and higher at times.

This meant streaming Netflix to my phone, or via its hotspot to my iPad or TV. Broadband Internet all over town is nothing but a perk to be honest, but the new networks and providers (AT&T is just starting to roll out LTE, and T-Mobile has its version online now; Sprint to come later) that roll out high-speed networks will be part a watershed moment in the history of the Internet. From here on out, blanketing large swaths of the country with broadband Internet out of thin air will be a piece of cake.

On July 27, the IEEE — the consortium of smart people who come up with the standards for everything technical — announced the specs for “Super-WiFi,” speeds of 22Mbps even 60 miles from the transmitter.

Not only do these new wireless networks scare cable companies like Insight Communications, which have until recently enjoyed a de facto monopoly on prices and speeds, and thus content, in this city, but it will finally connect rural America with blinding speeds and affordable prices. The communications and media options are nearly endless.

This network will transmit via the old analog spectrum of television, which now that the digital conversion is complete is simply a bubble of white noise filling Tom Cruise’s head with messages from L. Ron Hubbard. It will take time. The 4G LTE speeds that were turned on in Louisville in July were first announced a decade ago. But once broadband is sailing wirelessly over long distances, America will be truly connected like ever before.

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Tongue-In-Cheek

Each year, the Drawbridge Inn hosts the Vent Haven ConVENTion in Fort Mitchell, Ky. Hundreds of ventriloquists and enthusiasts buzz in to the Cincinnati area for this extravagant parade of networking, camaraderie and surreal spectacle. The organizers of this year’s event fetched some major star power with the booking of comedian Jeff Dunham as a special speaker.

Stephen and I were invited to come along to represent Kertis Creative as a part of a television crew taping an episode of A&E’s Biography on Jeff Dunham. It was impressive to see how quickly and efficiently the director of photography was able to establish and light 7 different interview settings in one small space.


Day 2 of the ConVENTion began at the Vent Haven Museum – a ventriloquist figure museum spread out across three quaint dwellings arranged next to one another in the middle of a residential neighborhood. In one of the buildings, dozens of ventriloquist puppets sit peacefully in rows of folding chairs, suggesting a frozen schoolhouse of fur and papier-mâché. In another, they were stiffly positioned in tight, elevated rows, like static, beaming children at a silent pep rally. The rooms were delicately lit with soft sunlight, so when Dunham arrived to lead a show-and-tell of his favorite dummies in the museum, we had to follow him around with a small, dimmable light to cast a glow on his face.

That afternoon, a distinct, latent mania began to gain momentum throughout the crowd of fans waiting in the Drawbridge Inn hallways for Dunham’s performance. As he prepared the stage for his 4 o’clock speech, the legion of ventriloquists outside the door swelled and foamed with expectant delight. When the doors creaked open at 4pm, the giddy bunch spilled into the room and greeted Dunham with a reverent concentration and awe. It was great to see the ConVENTion close out another year with their most successful program to date, but bittersweet, as this year proves to be their last at the Drawbridge Inn.

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